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#202 : Need to Know

Titre VO : Need to Know - Titre VF : Arnaque et politique

1ere diffusion US : 20 juillet 2010 - 1ere diffusion FR : 19 avril 2011

Réalisé par : Sanford Bookstaver

Ecrit par : Joe Henderson

Neal infiltre sous couverture l’équipe d’un politicien qui semble corrompu. Pendant ce temps Peter et Diana cherchent toujours à coincer Fowley et à découvrir la vérité sur l’explosion de l’avion.

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Plus de détails

Peter et Diana observe de loin un homme, cachant son visage derrière un journal, qui arrive sur le lieu du rendez-vous mystère de Fowler. Quand Peter annonce qu’il est du FBI, l’homme s’enfuit, l’agent et sa collègue le poursuive en vain. Peter demande à Diana de récupérer les enregistrements de toutes les caméras de la zone.

Le lendemain matin Neal arrive au bureau où il trouve Peter en train de plancher sur leur nouvelle affaire impliquant le sénateur de New York Gary Jennings. Son assistant, Dylan, suspecte Jennings d’utiliser des fonds illégaux pour sa campagne de réélection. Le Bureau avait Jennings à l’œil depuis un moment mais jusque-là rien de solide pour l’arrêter. Cette fois la donne pourrait changer. Dylan explique qu’à la suite de rencontres mystérieuses, la campagne de Jennings à commencer à recevoir plus de donations. Puis Jennings à commencer à tenir deux livres deux comptes. Dylan pense que le sénateur fait croire que qu’il reçoit des petites sommes provenant de différentes personnes alors qu’il s’agit d’une grosse donation en liquide. Il pense que ces personnes font des chèques à Jennings qui les rembourse en liquide sous la table… Dylan pense que le second livre de comptes contient la liste des donations illégales et la source de celles-ci, mais seulement le cercle privé de Jennings à accès à ce livre.

Neal découvre un vieux scandale impliquant Jennings dont celui-ci est sorti blanchit. Pour pouvoir entrer dans le cercle privé de Jennings Neal propose à Peter qu’il se rende au bureau de campagne du sénateur pour lui faire savoir qu’il s’intéresse de nouveau à cette affaire. Jennings pourrait devenir nerveux à l’idée que si le FBI enquête sur lui, ses affaires actuelles puissent faire surface, il pourrait alors engager quelqu’un pour régler le problème Burke.

Peter suit la proposition de son consultant et se rend au bureau de campagne de Jennings. La performance de l’agent fait son effet puisque Jennings se met à la recherché d’un nouveau conseiller. Neal se présente à lui sous le nom de Benjamin Cooper, lors d’une rencontre au restaurant. Jennings lui présente son directeur de champagne Reggie Mayfield. Neal conseille à Jennings d’apporter son soutien à une campgane locale qui vise à la création d’un nouveau parc pour enfant, histoire de distraire l’attention des électeurs jusqu’à l’élection. Qui s’attardera sur un vieux scandal quand le sénateur se bat pour les enfants de la ville ? Jennings impressioné engage Neal/Benjamin.

Elizabeth n’étant pas en ville, Neal invite Peter à boire un verre après le travail. Peter décline l’invitation, disant qu’il a promis d’aider la police de New York pour une surveillance.

Ce soir-là Diana se rend chez Peter et lui montre le montage photo qu’elle a réussi à obtenir de l’homme qui s’est enfuit. Elle a lancé une reconnaissance faciale discrètement mais n’a pour le moment eu aucun résultat. Elle informe aussi son patron que des gens sont à la recherche de la boîte à musique mais que personne ne sait où elle se trouve. Peter lui-même refuse de savoir où sa collègue la garde. Il ajoute qu’il ne veut rien dire à Neal tant qu’ils n’ont pas quelque chose de concret. A l’extérieur un inconnu prend des photos des deux agents…

Pour son premier jour de travail pour Jennings, Neal arrive en avance pour pouvoir fouiller le bureau du sénateur. Il y trouve le second livre de compte dont la couverture porte un symbol qui lui est inconnu. Il photographie ce dernier et envois la photo à Peter. Quand Jennings arrive Neal lui demande s’il peut être payé sous la table, le sénateur lui dit qu’ils vont s’arranger et passe un coup de fil… Neal prétend sortir fumer pour contacter Peter. Celui-ci lui apprend que le symbole correspond à la fleur d’Aphrodite qui est aussi le symbole d’une agence d’escorte de luxe. Neal informe l’agent que Jennings à appeler quelqu’un du nom de Barrow ou Narrow pour le payer…

Reggie montre à Jennings et Neal les photos de Peter et de Diana. Sachant que Diana n’est pas Mme Burke, celui-ci pense qu’il s’agit de sa maîtresse. Neal saisit l’occasion et dit que Diana est une prostituée et non sa maîtresse. S’ils peuvent l’avoir de leur côté, ils pourront faire tomber Burke. Reggie mord à l’hameçon et l’informe qu’il connait quelqu’un qui pourra aider.

Au bureau Peter dit à Neal que la planque qui devait avoir lieu le soir où Diana est venue chez lui a été annulée mais Neal n’y croit pas. L’arnaqueur explique à Peter la situation et qu’il est censé trouver Diana pour la mettre en contact avec un certain Barrow. The Aphrodite Escort Service est certainement la source des donations de Jennings. Les deux hommes sont inquiets lorsqu’ils doivent annoncé à Diana qu’elle va devoir se faire passer pour une prostitué mais celle-ci prend la nouvelle plutôt bien.

Ce soir là Diana va sous couverture au club pour rencontre Barrow pendant que le reste de l’équipe est en surveillance dans le van. Les choses se compliquent quand Barrow demande à Diana d’obtenir 10 000$ de la part d’un client cette nuit. Il confie à Diana la clé d’un penthouse et l’informe qu’elle a jusqu’à 4h pour lui apporter l’argent. Neal quitte le van sans l’accord de Peter pour aller aider Diana et dit à Peter de trouver Mozzie pour l’argent.

Pendant que Peter doit suivre Mozzie et ses excentricités pour obtenir l’argent, Diana raconte son enfance comme fille de diplomate à Neal. Mozzie finit par apporter l’argent que Jones trace désormais, à Diana et Neal.

Le lendemain c’est un Jennings très nerveux qui prend contact avec Neal pour l’informer que la presse a eu vent des investigations du FBI. Neal monte une histoire que Jennings raconte à la presse pour redorer son blason. Le coup marche mais Reggie dit à Neal qu’ils ont peut-être stoper Peter cette fois mais qu’ils vont devoir l’arrêter pour de bon maintenant. Alors qu’ils parlent Diana est sur le point de rencontrer Barrows, celui-ci ayant pour mission de découvrir à quel point elle connaît Burke. Neal envoi un message à Peter pour l’avertir que Diana est en danger. Peter et Jones se précipite au secours de leur collègue mais celle-ci a déjà maîtrisé Barrow.

Après les confessions de Barrow Peter se rend au bureau de campagne de Jennings où il arrête ce dernier et Reggie. De retour au bureau Diana montre une photo de Peter portant la moustache à Neal, celui-ci se fait une joie de partager cela avec le reste de ses collègues. Diana informe Peter que la reconnaissance faciale n’a rien donné…

 

Ecrit par laurine03


202: Need To Know

 

 

[Peter and Diana are in a street. Peter called her.]

 

Peter: Anything?

 

Diana: Nothing. It's 20 after. You want to call it?

 

Peter: No, not yet. Fowler was willing to pull a gun on you To make sure we didn't know about this meeting. Whoever shows up, I'm betting they know why that plane exploded.

 

Diana: Boss.

 

Peter: Diana, you see him?

 

Diana: Yeah. Can't make a face.

 

Peter: Excuse me. FBI!

 

[The man runs away. They set off in pursuit.]

 

Peter: Hold it right there! He's headed around the stone arches! Cut him off!

 

Diana: FBI! Freeze!

 

[Peter and Diana lose track of the man.]

 

Diana: He knows how to slip a tail.

 

Peter: Yeah, this guy's no civilian. All right, I want you to pull the tape From every surveillance camera in the area. Plus our cameras, atm cameras. Everything in this area.

 

Diana: Yeah.

 

Peter: I want to know who this guy is.

 

 

*******************************************************************

 

 

Neal: Morning. You look exhausted.

 

Peter; Oh, I don't sleep well when Elizabeth's out of town.

 

Neal: Well, if her company keeps taking off the way it is, You can retire early and become a house husband.

 

Peter: Because when you look at me, You see soap operas and light housework.

 

Neal: What are we watching?

 

Peter: Our new case. Potentially corrupt politician. You need a moment to recover?

 

Neal: I might, actually. Gary Jennings, state senator?

 

Peter: You've heard of him?

 

Neal: I am politically aware. He's popular. Even Mozz voted for him.

 

Peter: Mozzie votes?

 

Neal: More often than you'd think. Or would approve of.

 

[Neal raises the TV sound.]

 

Reporter: Why did you get into politics, Mr. Jennings?

 

Jennings: Well, you know, I didn't plan to. I wanted to be a carpenter.

 

Neal: Jesus was a carpenter.

 

Peter: Yeah, he's subtle.

 

Jennings: But then I-I realized that my talents were better suited to helping build America’s future with words and ideas rather than brick and mortar. That's where I find my inspiration.

 

[Peter turns off the TV.]

 

Peter: Well, his assistant thinks That he's illegally funneling money into his campaign.

 

Neal: Don't tell Mozzie.

 

Peter: We've had our eye on Jennings for a while. So far, nothing's stuck. But this could be our in. You want to join a political campaign?

 

Neal: What do I have to do?

 

Peter: Let's figure that out.

 

 

*******************************************************************

 

 

[Peter and Neal questioned a man working with Jennings.]

 

Employee: I was a true believer. I believed in Jennings. I still believe in what he stands for.

 

Peter: What changed your mind?

 

Employee: Gary started having these mystery meetings. Right after, our campaign started getting an increasing number of donations. Gary started keeping two sets of books. I'm in charge of one. None of the regular staff sees the other one.

 

Peter: What do you think is inside that book?

 

Employee: I think he's set up a straw donor scam.

 

Peter: It's an end run around campaign funding rules that limit donations from individuals.

 

Neal: Oh, I know what it is. Politicians were the original con men.

 

Employee: Instead of cutting one big check to himself

 

Neal: From a questionable source, Jennings gets a bunch of regular people to write him smaller checks, then he reimburses them under the table for their contributions.

 

Employee: I think the second book has a list of the straw donors And the source of the illegal money.

 

Neal: Well, who has access?

 

Employee: His inner circle. Reggie, our head of opposition research, Maybe a few others.

 

Peter: We have to find a way to get you inside Jennings' inner circle.

 

 

*******************************************************************

 

 

Neal: I got it. Bad cop, good criminal.

 

Peter: No such thing.

 

Neal: Listen, it's a variation on a con that I've... Thought about running before. The bad guy, the cop … that's you creates a problem for Jennings,

and the good guy ..

 

Peter: That's you?

 

Neal: Right. I provide the solution.

 

Peter: Listen, if I make Jennings think that the FBI's onto him, it'll spook him. He'll burn his books.

 

Neal: Not if he thinks the bureau's barking up the wrong tree. Here's an old loan scandal he was wrapped up in.

 

Peter: Yeah, he walked away clean from that years ago. But it might make him worried

 

Neal: If he thinks that the digging around... Could uncover whatever he's really doing. And make him nervous enough to hire a fixer.

 

Peter: Who does he normally use to cover up his problems?

 

Neal: Jennings' usual guy quit a few months ago, Same time he started his mystery meetings.

 

Peter: This could work.

 

Neal: All we need's a bad cop.

 

Peter: I can do bad cop.

 

Neal: I've seen you do mildly irritated cop. Wow.

 

 

*******************************************************************

 

 

[Jennings returned to his office with one of his employee.]

 

Jennings: God, I hate these glad-handing events.

 

Employee: You picked the wrong job if you don't want to shake hands.

 

[Someone knocks on the door.]

 

Jennings: What?

 

Other Employee: I'm sorry to interrupt, senator.

 

Jennings: Dylan, I said no more appointments.

 

[Peter returns in the office.]

 

Peter: Peter Burke, FBI.

 

Jennings: Well, what can I do for you, agent Burke?

 

Peter: I came to say thank you.

 

Jennings: You’re welcome. What did I do?

 

Peter: Nothing yet. But I'm gonna make my career taking you down.

 

Jennings: I'm sorry, um... Am I actually being accused of something?

 

Peter: The Mickelson Loan scandal.

 

Jennings: The FBI looked into that "scandal" years ago. They found nothing. You really want to waste taxpayers' money with another witch hunt?

 

Peter: I do. I know if I start kicking over rocks, something will crawl out. And when it does, It's gonna get your name, my name, and the word "scandal" in the same headline.

 

Jennings: And then you figure you can have any job you want.

 

Peter: Yeah. Maybe I'll take this office.

 

Jennings: Why me?

 

Peter: Because I can tell you're dirty just by looking at you. So... I'll keep digging. Until I find something that'll bury you. You've got my word on that.

 

[Peter leaves the office.]

 

 

*******************************************************************

 

 

[Peter joined Neal in the van.]

 

Peter: How'd I do?

 

Neal: Nice acting.

 

Peter: Who said I was acting?

 

[Peter’s cell phone rings.]

 

Peter: Dylan. Did it work?

 

Dylan: Yep. Whatever you said, Jennings is freaked out. He called an immediate war room.

 

Peter (to Neal): He called a war room.

 

[He hangs up.]

 

Peter: All right. Keep us posted. I'm the bad cop. Now it's your turn.

 

 

*******************************************************************

 

Generic

 

*******************************************************************

 

[Peter is working in his office. Neal returns and takes the newspaper.]

 

Peter: Twizzlers. The twist you can't resist. Caffrey, that's my newspaper.

 

Neal: Relax. I'll give it back.

 

Peter: Touch my crossword, And I will put you back behind bars.

 

Neal: Oh, you do it in pen. I'm impressed. I'm looking for inspiration, you know? And I think I just found it. What was the fallout from your meeting with Jennings?

 

Peter: Well, he called in some favors, tried to get me fired. Hughes is protecting me, which should frustrate Jennings even further.

 

Neal: Excellent.

 

Peer: According to Dylan, he's looking for a new fixer as we speak.

 

Neal: I didn't doubt you for a second.

 

Peter: Dylan put your name on the list. But Jennings is still looking at other people, too. So, we need to make sure you get that job.

 

Neal: Well, I don't have an alias with this type of background.

 

Peter: Hmm. You're about to get one... Courtesy of the FBI.

 

[They moved to another room.]

 

Neal: What do you guys need to know about creating a background?

 

Diana: Nothing. We're the FBI. You're good, but we're better.

 

[She gives a file to Neal.]

 

Diana: You're now Benjamin Cooper.

 

Neal: Wow, high school yearbook? You're definitely thorough.

 

Peter: They're thorough. Jennings doesn't mess around with this stuff. That means no anklet when you're with him.

 

Neal: Yeah, nice Photoshop work.

 

Diana: We'll add the yearbook to the school's archive in case they check.

 

Neal: I finally get to be valedictorian.

 

Peter: You weren't valedictorian?

 

Neal: You have to graduate for that.

 

Diana: We're giving you a 4.0 from Harvard law.

 

Neal: Harvard is so pedestrian.

 

Diana: Don't let Jones hear you say that.

 

Peter: After graduating, you did a stint at the firm Brexton & Miller in Delaware.

 

Neal: Very exclusive and grisham-esque. This is perfect.

 

 

 *******************************************************************

 

 

[Jennings is in a restaurant with one of his employees. Neal arrives.]

 

Jennings: Benjamin cooper?

 

Neal: That would be me.

 

Jennings: Pleasure to meet you. This is Reggie Mayfield, head of opposition research. Benjamin.

 

Reggie: pleasure.

 

[A waiter brings a coffee to Neal.]

 

Neal: Oh, thank you so much. Well, if you've called me, that means you've got a problem on your hands, right?

 

Reggie: We've got a fed on steroids who's going after Gary on the Mickelson …

 

Neal: Details don't matter.

 

Jennings: Oh, I think they do. This FBI agent …

 

Neal: Don't worry about the agent. Your constituents aren't going to care about him.

 

Reggie: Why won't they?

 

Neal: Because they'll be far more concerned With your position on the new stadium.

 

 

In the van:

 

Peter: What's he talking about? You know anything about a new stadium?

 

Jones: No, nothing.

 

 

In the restaurant:

 

Jennings: What new stadium?

 

Neal: That's exactly what you're gonna say: "what new stadium?" And when the reporter asks what you're talking about, deny you're in any way involved with the talks to build it.

 

Jennings: There isn't going to be a new stadium.

 

Neal: Now you're getting it.

 

Jennings: Look... If there were a new stadium being built which there isn't why would I oppose it?

 

Neal: Oh, you don't oppose it.

 

Jennings: I don't.

 

Neal: Of course not. You just don't want them building a stadium In that particular location because that's where you want them to build the new children's park. May I, uh...?

 

Reggie: Yeah.

 

[He takes the newspaper.]

 

Neal: There we go.

 

Reggie: We're talking to several people about this job …

 

Jennings: All right. Go on.

 

 

In the van:

 

Jones: Are you following any of this?

 

Peter: Nope. That's the point. It's all a giant distraction.

 

 

In the restaurant:

 

Neal: Who's gonna care about an old loan scandal of yours when you're fighting against the system? Against the corporate fat cats who think overpaid athletes are more important than our city's children?

 

Jennings: But the story won't hold up.

 

Neal: Oh, you've got less than a month before the election. It doesn't have to hold up. We just have to distract. Right? You've got a problem. I'm your solution, senator. Have a great day.

 

[Neal leaves the restaurant.]

 

Jennings: I like him. Cancel the other interviews.

 

 

*******************************************************************

 

 

[Neal enters in Peter’s office. He is phoning to someone.]

 

Neal: You got it.

 

Peter: Hey, do you have a …

 

Neal: All right. First thing tomorrow. Bye.

 

[Neal finished his telephone conversation.]

 

 

Peter: you don't get to shush me.

 

Neal: Oh, okay. Next time I'll let Jennings hear your voice in the background.

 

Peter: You're hired?

 

Neal: Like I said bad cop, good cop.

 

Peter: Good criminal.

 

Neal: Consultant.

 

Peter: Mm. So, the stadium thing worked, huh?

 

Neal: In today's world, rumor is truth.

 

Peter: But you told him to deny that there were any talks.

 

Neal: Exactly. Which means there must be talks.

 

Peter: This is why I hate politics. Oh, Elizabeth's still out of town, right? You want to grab a drink?

 

Peter: Can't. Uh, I owe captain Shattuck a favor. Gonna help the local P.D. With a stakeout. Surveillance and deviled ham till 4:00 A.M. You want to join us …

 

Neal: No, I'll pass. Thank you, though.

 

Peter: All right.

 

[Neal leaves Peter’s office.]

 

 

*******************************************************************

 

 

[Peter sits on the sofa and puts his feet on the table.]

 

Peter (to Satchmo): Oh! Don't tell Elizabeth.

 

[Someone knocks on the door.]

 

Peter: Hey.

 

Diana: Hey. Oh, it's just you and Satchmo tonight?

 

Peter: Yeah, just the dog and me.

 

Diana: Elizabeth's still in San Francisco?

 

Peter: She is. Can I get you a beer?

 

Diana: Sure.

 

Peter: All right. So, how was your dinner with Christie?

 

Diana: Hmm.

 

Peter: Oh. She still having a tough time adjusting to New York?

 

Diana: We'll get through it.

 

Peter: Yeah, you will. You will. All right. Any luck putting a face on our mystery man?

 

Diana: He was good … he avoided our cameras and the surveillance cameras on the street.

 

Peter: Mm.

 

[Diana shows pictures To Peter.]

 

Peter: Ooh. Just bits and pieces of a face.

 

Diana: Well, put the pieces together... And we get this.

 

Peter: Ha. I think I saw this guy in a horror movie.

 

Diana: Hmm. Our patchwork man. I'm running it through the facial-recognition database. Discreetly. We'll see what we can get.

 

Peter: What about the location of the music box? Anybody poking around?

 

Diana: A couple of feelers, but no one knows where it is.

 

Peter: Except you.

 

Diana: Just like you asked, boss. Are you sure you don't want to know where I'm keeping it?

 

Peter: No, it's safer for the both of us if I don't. This guy knows something. Let's find him.

 

Diana: And Caffrey? You're sure you want to keep all this from him?

 

Peter: Neal's still recovering from Kate's death. I don't want to reopen that wound with any sort of false hope. Once we have something concrete, then I'll tell Neal. Diana, I hate sneaking around like this. We're supposed to be the good guys.

 

Diana: We are the good guys.

 

Peter: Boy, this guy's a professional. If we're looking for him... There is a fair chance... He's looking for us.

 

 

*******************************************************************

 

Neal: Morning, Dylan.

 

Dylan: Jennings isn't in yet.

 

Neal: Good. I need some time in his office.

 

Dylan: Well, the, uh … the door's locked, And Jennings and Reggie are the only ones with keys. But they'll be here any minute.

 

Neal: So distract them. Can you do that?

 

Dylan: Um... I'm a terrible liar.

 

Neal: Good. We need more terrible liars in politics.

 

[Neal enters the office and begins to search.]

 

Neal: Come on, come on. Jackpot.

 

[Reggie and Jennings arrive.]

 

Dylan: Senator... You're in early. Senator, I wanted to go over next week's schedule with you. Just, uh...

 

Neal: Gotcha.

 

[Neal leaves the office.]

 

Neal: Morning, Senator.

 

Jennings: Oh, nice and early. Good start already.

 

Neal: I was gonna go grab a smoke before we jump in. Do you have a light?

 

Jennings: Smoking makes you look weak.

 

Neal: I'll remember that. Oh, uh.... We should discuss my fee. You know, I was hoping we could do it off the books.

 

Jennings: I'm sure we can come to an arrangement.

 

 

*******************************************************************

 

 

[Peter works on his computer. His cell phone rings.

 

Peter: How's your first day of work?

 

Neal: I've taken up smoking.

 

Peter: Politics is already corrupting you.

 

Neal: Yeah. You get the picture I sent?

 

Peter: Yeah. The symbol's the flower of Aphrodite. We ran it through the acs database And came up with two coffee shops, a bakery, a winery, and a high-class escort service.

 

Neal: Politicians and hookers … that one's as old as time. Listen, there was a word written inside the matchbook "cinnamon212." All caps except the vowels.

 

Peter: Got it. Any luck convincing Jennings to pay you off the books?

 

Neal: Yeah, yeah. He, uh, made a call to get the money. I put an ear to the door. He called the man on the end of the line "Darrow" or "Narrow."

 

Peter: All right, break's over. Get back to work.

 

[Peter returns the password to access the site of hookers.]

 

Peter: C-I-n-n-a-m--

 

[His cell phone rings.]

 

Peter: Hello?

 

Elizabeth: Hey, sweetie!

 

Peter: Oh, hey, El. How's San Francisco?

 

Elizabeth: It's amazing here. I biked across the bay this morning to watch the sunrise.

 

Peter: How was the sunrise?

 

Elizabeth: It reminded me of Belize... Which makes me miss you even more. You got any big plans for tonight?

 

Peter: Nope. Just catching up on some work.

 

[Images scrolled on Peter’s computer and a voice of woman raised.]

 

Woman: Are you looking for high-class female companionship?

 

Elizabeth: Uh, what kind of work is that?

 

Peter: Oh, it's not what it sounds like.

 

Woman: Our discreet service gives you a chance to spend a day with the girl

of your dreams.

 

Peter: Or that.

 

Woman: We will introduce you to fashion models, pageant winners, beau …

 

Elizabeth: Oh, I can't wait to hear this explanation.

 

Peter: Research, I swear.

 

 

*******************************************************************

 

 

Neal: All right, has the press picked up on the stadium story?

 

Woman: A couple of reporters have asked about it.

 

Neal: And we denied it?

 

Woman: Of course.

 

Neal: Good. Make sure to specify that he did not meet with the zoning committee.

 

Woman: He didn't meet with the committee.

 

Neal: Exactly. Back-date a meeting in his books showing it was scheduled and leak it. We'll say he canceled.

 

Woman: But why? This doesn't make sense.

 

Neal: Of course it does. Jennings is a maverick. That's why the FBI is digging into his past. He's upsetting all the right people.

 

Woman: But there is no stadium project. We can't create one out of thin air.

 

 

Neal: Don't be so cynical. That is exactly what we're going to do. These people want a park. That's why we're going to deny that Jennings has met with a couple of big corporations …

 

Woman: Which corporations?

 

Neal: Doesn't matter. Pull their names out of a hat. We're going to deny that Gary has met with them about forcing a bond measure that would turn the park into a new stadium. The more we deny there's smoke, the more the press will see fire.

 

Jennings: Listen to him. Let's take a 15-minute break, everyone. Benjamin... You stay.

 

Neal: What's going on?

 

[Reggie gives a photograph to Neal. We can see Peter and Diana in Peter’s house.]

 

Reggie: We may have found a solution to our problem with our FBI agent. That's not Mrs. Burke.

 

Neal: When were these taken?

 

Reggie: Last night.

 

Jennings: If burke's having an affair, we can use that. Do we know who the girl is yet?

 

Reggie: Not yet. I'll find out.

 

Neal: Well, I know who she is. She's a prostitute.

 

Reggie: How do you figure?

 

Neal: This burke is an FBI guy. He's a control freak. He's not gonna have an affair. It's too sloppy.

 

Jennings: He may be right.

 

Neal: We can use her. These pictures aren't enough to take burke out. But if we can get her to meet with him again and she's under our thumb...

 

Reggie: We might have someone who can help us with that.

 

 

*******************************************************************

 

[Neal gives the picture to Peter.]

 

Peter: You told them Diana was a hooker?

 

Neal: Mm-hmm. Captain Shattuck sure cleans up nice.

 

Peter: The stakeout was canceled. Diana came over to work. Why am I explaining myself to you? Not everything's a conspiracy, Neal.

 

Neal: I hope that's true. I've never lied to you.

 

Peter: Oh, come on, Neal. You lie for a living…

 

Neal: Not to you. I may have let you draw certain conclusions that weren't correct, but never an actual lie.

 

Peter: All right, so, one of Jennings' guys was standing in my backyard taking these?

 

Neal: Yep. You got to them. They think you're having an affair. I took a risk and told them Diana was a prostitute, and they took the bait. They told me to find her and put her in touch with a guy they know named barrow.

 

Peter: Ah, your mystery man Jennings called to get you paid off the books. So, maybe the Aphrodite escort service is where the cash is coming from to pay his straw donors.

 

Neal: That's what I think. Can you set Diana up with an alias as good as mine?

 

Peter: As an escort? Sure. Diana! Can you come here a minute? You gonna tell her?

 

Neal: I'm not telling her.

 

Peter: You're the one who made her a hooker.

 

Neal: You're the one who's sleeping with her.

 

Peter: You got a point.

 

Diana: Yeah?

 

Peter: Neal told Jennings you're a hooker. You and I are having an affair. You're gonna go meet with an escort service.

 

Diana: Okay. Anything else?

 

Peter: No.

 

[Diana leaves the office.]

 

Neal: It's good to have her back.

 

 

*******************************************************************

 

 

[Neal’s flat.]

 

Mozzie: Did you confront the suit about the pictures?

 

Neal: Yeah, I did. He said it was a misunderstanding.

 

Mozzie: Oh, right. So was the Bay of Pigs. So you think he's looking into who killed Kate in his off hours. I suppose that's a good thing.

 

Neal: I want to know what he's found.

 

Mozzie: He's trying to protect you.

 

Neal: Oh, come on, Moz. I don't need protecting. It's only fair.

 

Mozzie: We keep secrets from the suits all the time. Now they have their own. There's a certain universal synchronicity to it all.

 

Neal: Spare me your "circle of life" crap. What are you writing?

 

Mozzie: Oh, it's a letter campaign to stop this new stadium from being built.

 

Neal: There's a letter campaign?

 

Mozzie: You really need to pay more attention to what's going on in the world around you.

 

Neal: Yeah. Listen, Moz, you should know that …  That you got a real shot at stopping this. Keep it up.

 

 

 

*******************************************************************

 

 

 

[Neal, Peter, Jones and an agent are in the van whereas Diana is undercover as a hooker in a party.]

 

In the van:

 

Neal: It is really exciting in the van. It's... Can I just go in there and …

 

Peter: You'll sit there, and you'll like it. Now pay attention.

 

 

 

In the party:

 

 

Barrow: You must be Lana. Roger Barrow. A friend of mine suggested that you and I could do some business.

 

Diana: What kind of business?

 

 

In the van:

 

Peter: That's our guy. What do we know about Barrow?

 

Jones: Arrested three times, all in Chicago, aggravated assault, extortion. Last one was for attempted murder.

 

Neal: Attempted? At least we know he's not very good at it.

 

Jones: Well, his target was shot dead in a mugging two weeks later.

 

Neal: Okay, maybe he is good at it.

 

 

In the party:

 

Barrow: I want to know about your FBI friend. What do you want?

 

Diana: What do you think?

 

Barrow: Money? Look around. My girls make 10k a night. The richest men in New York come here. You want to work for me, You'll make in a week what you normally make in a year.

 

Diana: I'd like that.

 

Barrow: Here's the thing. I need to know that I can trust you. And I need to make sure that you know what you're doing. This is for the penthouse suite. Pick any guy at the bar. I want his 10 grand in my hand by 4:00 A.M.

 

Diana: $10,000 in cash.

 

[Barrow leaves.]

 

Diana (to the van): Guys? I was not prepared for an audition. I'm either walking out of here or taking some guy up to the penthouse.

 

 

In the van:

 

Jones: So, what's the plan?

 

Peter: Where'd Caffrey go?

 

 

In the party:

 

Neal: Can I buy you a drink?

 

 

In the van:

 

Peter: Keep your home smelling like home. We have three hours. If we can get $10,000, we can follow the money trail, see if it leads back to Jennings.

 

Jones: But, Peter, we can't get a cash request out of the bureau that fast.

 

Peter: I know.

 

 

In the party:

 

Diana: You sure you can afford me?

 

Neal: I'm pretty good at scrounging up loose change.

 

Diana: Hmm. Prove it.

 

Neal: Peter, if you're wondering where to get $10,000, meet our mutual friend at my place.

 

 

 

In the van:

 

Peter: I was afraid he was gonna say that.

 

 

In the party:

 

Neal: About that drink...

 

*******************************************************************

 

 

[Neal’s flat.]

 

 

Mozzie: You've come to the right place.

 

Peter: Cut the crap, Mozzie. Can you get us the 10 grand or not?

 

Mozzie: Yes. But first, some ground rules. I want full immunity About anything you may see or hear tonight.

 

Peter: Let's just say I'll owe you one.

 

Mozzie: I accept your counteroffer. I need your shoelace.

 

Peter: My shoelaces are gonna get us the $10,000?

 

Mozzie: Rule number two: no further questions.

 

Peter: I'm doing this more out of a morbid curiosity than anything else.

 

Mozzie: I'll also need a magnet and a sports illustrated.

 

Peter: This is a scavenger hunt now?

 

Mozzie: I refer you to rule number two.

 

Peter: Magnet. No sports illustrated. I've got the New York journal magazine supplement.

 

Mozzie: That'll do, pig. That'll do. Oh, I also need a $20 bill.

 

Peter: Great. Thanks.

 

 

Peter: Just a key? Yes. Another piece of the puzzle. And don't forget a hammer, a crowbar, and a radio.

 

Peter: Scavenger hunt.

 

Mozzie: "Life is more manageable "when thought of as a scavenger hunt as opposed to a surprise party."

 

Peter: Jimmy Buffett.

 

Mozzie: You're driving.

 

 

 

*******************************************************************

 

 

 

Diana: You sure barrow won't recognize you?

 

Neal: Jennings keeps him far away from the campaign.

 

Diana: I don't blame him.

 

Neal: You know, if I didn't know any better, I'd say you weren't attracted to me at all.

 

Diana: How's that?

 

Neal: Not bad. Is this doing anything for you?

 

Diana: Not a damn thing.

 

Neal: What were you gonna do if I hadn't come in?

 

Diana: Well... I'd have put this strawberry in that guy's mouth... Taken him up to my room... Put a gun between his ribs... And told him to shut up and sit tight Or I'd arrest him for solicitation.

 

Neal: That is really sexy.

 

Diana: Yeah.

 

 

*******************************************************************

 

 

[Mozzie and Peter are in a warehouse.]

 

Mozzie: We're looking for unit R39. Ho radio, please.

 

Peter: Why? Yeah, yeah. Rule number two.

 

Mozzie: So, why are we doing this?

 

Peter: We need some money to take down a corrupt politician.

 

Mozzie: Oh, I hope it's that guy who's running against Jennings. It is Jennings? Oh, forget it. He's the only one fighting against the stadium.

 

Peter: There is no stadium.

 

Mozzie: Exactly! Because of Gary Jennings! Those children need a place to play!

 

Peter: All right, listen. Listen to me. If he is innocent...

 

Peter: Which he is!

 

Peter: Then this won't matter.

 

Mozzie: Fine. Just note that I'm assisting under extreme duress.

 

Peter: Noted. Here it is.

 

Mozzie: it's actually behind R39.

 

Peter: How are we supposed to get behind that?

 

Mozzie: Uh, uh.

 

 

[A man arrives.]

 

Man:  What's all this noise? I'm over on six, doing my rounds, I could hear this crap from all the way over there.

 

Mozzie: All apologies, Eddie.

 

Eddie: Mr. C?

 

Mozzie: Yeah.

 

Eddie: Hey, how the hell are you?

 

Mozzie: Good.

 

Eddie: How's Mr. F?

 

Mozzie: Good. Listen, uh, Eddie... I need a little favor.

 

 

 

*******************************************************************

 

 

[Neal and Diana enter in a room.]

 

Neal: You ever take a bath in champagne?

 

Diana: Okay.

 

Neal: Wow. Room service. What? I'm keeping up appearances. I'm supposed to be a big spender, remember?

 

Diana: Caffrey, this isn't what we're here for.

 

Neal: Look, our cover is that we're enjoying ourselves. I'd say this is exactly what we're here for. What, so, that's a no to the champagne bath, or...?

 

 

*******************************************************************

 

Peter: Mr. C and Mr. F?

 

Mozzie: Oh, there's a long, strange story attached to that.

 

Peter: I'm sure. Now what?

 

Mozzie: New York journal magazine.

 

Peter: What do I do with this?

 

Mozzie: Stay here and read it. "There are many things of which a wise man might wish to be ignorant."

 

Peter: Emerson.

 

Mozzie: Very good.

 

Peter: "All of your quotes are getting on my nerves." Peter Burke.

 

 

*******************************************************************

 

Neal: Well?

 

Diana: Okay. You're right. It doesn't hurt to relax a bit.

 

Neal: I wonder how many rooms like this I've stayed in.

 

Diana: Want to know a hotel-room secret?

 

Neal: I'm pretty sure I know every secret there is.

 

Diana: All hotel-room paintings are locked onto the walls, right?

 

Neal: Sure. And they're not hard to unlock, but why bother? The paintings aren't worth stealing, And hotel doesn't put safes behind them.

 

Diana: They don't. But there's something better. There's a little mark... Right here. So you know something's there. It's for people who live out of hotels. A sort of secret art... To make the experience more bearable.

 

Neal: How did you know about this?

 

Diana: I'm the daughter of a diplomat. I grew up in fancy hotels.

 

Neal: You're the daughter of a diplomat?

 

Diana: Why are you so surprised?

 

Neal: Diplomats' daughters don't normally know how to field-strip

a semiautomatic.

 

Diana: My bodyguard taught me.

 

Neal: Oh, and you had a bodyguard.

 

Diana: His name was Charlie. He practically raised me. Was like a father to me.

 

Neal: What?

 

Diana: He died in the line of duty. Protecting me.

 

Neal: Were you there when it happened?

 

Diana: I was.

 

Neal: My first date with Kate, we conned our way into some rich guy's hotel room. And we ordered the most expensive food they had. Did you know there's a $1,000 hamburger?

 

Diana: You're joking.

 

Neal: We ordered five. Yeah. And from our window... There was a view of this run-down old bridge. I'm sure it was a mess up close. But from our angle … the way the sun hit it... It was beautiful. And we never wanted to leave that room. It should have been me on that plane.

 

Diana: But it wasn't. I know you blame yourself for what happened to Kate. I blamed myself for Charlie. But Charlie wouldn't have wanted me to do that. He'd have wanted me to go on with my life. I didn't know Kate. But I'd guess she'd want the same thing. Now, do you have a pencil?

 

Neal: I do. Why?

 

Diana: Because there's a painting in this room with nothing behind it.

 

 

*******************************************************************

 

 

Peter: Everything all right back there?

 

Mozzie: Keep reading! Your money, sir. We should go.

 

 

*******************************************************************

 

[Peter returns to the van with the money.]

 

Peter: We need to get these serial numbers logged as quickly as possible. We have 10 minutes. We get those numbers, we can trace them back to Jennings. How are Caffrey and Diana holding up?

 

Jones: How do you think?

 

 

*******************************************************************

 

Neal: You're lying to me.

 

Diana: I'm not. I swear I'm not.

 

Neal: There is no way Peter had a mustache.

 

Diana: For a month! It was amazing.

 

Neal: I would have broken out of prison to see that.

 

Diana: Barrow has a key.

 

[Someone enters the room. Diana begins to kiss Neal.]

 

Mozzie: You know, I'd say "get a room," but...

 

Neal: What if he works for barrow?

 

Diana: I know who he is.

 

Neal: It was worth a try.

 

[Mozzie gives them the money.]

 

Diana: Great.

 

Neal: I think we should stay here …

 

Mozzie: Hey, hef...

 

*******************************************************************

 

[Neal and Diana return to the party.]

 

Neal: Thank you. We'll do it again some time.

 

Diana: So, when do we start making some real money?

 

[She gives the money to Barrow.]

 

 

*******************************************************************

 

[Peter and Neal walk in a street.]

 

Peter: How is it that you always get the penthouse suite with the girl and I end up with the sweaty, bald-headed guy at warehouse in queens? Stop that.

 

Neal: Can I see a picture of the 'stache? Please?

 

Peter: No, I burned all of them. They're burned. What's with the armband?

 

Neal: It's "save the park" day.

 

Peter: Oh.

 

Girls: Save the park. Save the park! Hey.

 

Peter: Oh, yes, of course. Does Mozzie know that the one conspiracy theory that he's falling for is actually true?

 

Neal: Hey, who's to say it's a conspiracy theory? Perception drives the reality, Peter.

 

[Neal’s cell phone rings.]

 

Neal: This is Benjamin. … All right. Relax, Gary. This is what we've been preparing for. Call up a reporter friendly to the campaign. I want them to ask you about the loan scandal, okay? And I want you to answer with a simple question: "did you ever play stickball?"

 

 

*******************************************************************

 

 

[Neal and the employees of Jennings watch the TV. A reporter interviews Jennings.]

 

Reporter: The FBI has reopened their investigation into the Mickelson

Loan scandal. Is this true?

 

Jennings: It is. And let me ask you something. Have you ever played stickball?

 

Reporter: No, I have not, senator.

 

Jennings: Well, all you need to play stickball. Is a broomstick and a ball. It's the ultimate form of democracy, right? Anyone can play. Even Timmy Nolan.

 

Reporter: Who is Timmy Nolan?

 

Jennings: Timmy Nolan... Was a friend of mine that I used to play with. And he's also the reason why I am fighting so hard to make this park a reality. Look, we all know why a 5-year-old, closed investigation has suddenly resurfaced. It's because there are people out there who would rather use this land for their own profit than to let the Timmy Nolan’s of this city have a place to play. Well, I'll tell you this. They can come at me with whatever they want. But I will not back down.

 

[Neal turns off the TV.]

 

Neal: All right. Yeah! (to Reggie) Good work. Good job on Timmy Nolan, my friend.

 

Reggie: Cooper...

 

Neal: What's wrong?

 

Reggie: Nothing.

 

Neal (to an employee): Thanks. I'll check in later.

 

Employee: Nice job.

 

Neal (to Reggie):Look, I need to know what's going on, or I can't fix it. If you can't trust me …

 

Reggie: You believe in Gary Jennings, right?

 

Neal: Yeah, I wouldn't have done this if I didn't. He's gonna be governor in the next five years.

 

Reggie: He's got his sights set even higher. But to make it there... We need to take out this FBI agent.

 

Neal: Didn't you just watch the news? The story's buried. I took care of it.

 

Reggie: For now, yeah. But I've seen guys like Burke. You buried him now. That's just gonna heat him up.

 

Neal: What's your plan?

 

Reggie: This prostitute … Lana? I think she knows a lot more about Burke than she's letting on.

 

Neal: You want to talk to her?

 

Reggie: Not me. I've got a guy.

 

Neal: Barrow?

 

Reggie: Yeah. He'll get it out of her.

 

Neal: What's he gonna do to the girl?

 

Reggie: He'll scare her... Maybe rough her up a little.

 

Neal: Uh-huh. And what if he gets out of control?

 

Reggie: Is that so bad?

 

Neal: When's Barrow gonna have this "discussion" with the girl?

 

Reggie: Any time now.

 

 

*******************************************************************

 

Diana: Here we go.

 

 

In the van:

 

Jones: Diana's entering Barrow's hotel room.

 

Peter: Diana's in trouble. You two, come with me. Jones, call for backup.

 

 

In the room:

 

Barrow: Move away from the door.

 

Diana: What's going on?

 

Barrow: Just sit down, and you won't get hurt. I promise.

 

Diana: You're lying.

 

Barrow: I'm not. We're just gonna have a chat.

 

Diana: You should know you're threatening an undercover FBI agent.

 

Barrow: That's even more reason for me to pull the trigger.

 

Diana: Put the gun down, and you'll walk out of here.

 

Barrow: Really?

 

Diana: Really. Draw and I'll put a bullet through your shoulder.

 

[She shoots the guy in the shoulder.]

 

Barrow: aah!

 

Diana: Told you.

 

[Peter enters in the room.]

 

Diana: Aww. You were worried.

 

Peter: Oh. Not about you. I was worried what you'd do to him.

 

Diana: Think we've got enough to arrest Jennings now?

 

Peter: Yeah. I think we do.

 

 

*******************************************************************

 

 

Neal: You get what you need?

 

Peter: Barrow rolled on Jennings. He figured a confession was better for the soul. Jones just finished arresting Reggie, And he found a copy of the second set of books on him. Now for the big guy.

 

Neal: Oh, wait for it. Yeah. Oh, ho ho ho. Picture perfect.

 

[Peter and some agents enter in Jennings’ office.]

 

Jennings: I don't think this is the kind of headline you're looking for, agent Burke. "Rogue FBI agent arrests innocent man."

 

Peter: You're a saint. Isn't he?

 

[Neal enters.]

 

Neal: Oh, yeah. Yeah, I can almost see the halo. Yeah.

 

Peter: Hey, what do you think? Hang the dogs playing poker on that wall?

 

Neal: That would really bring this room together.

 

Peter: Senator Jennings... You're under arrest.

 

Jennings: This is ridiculous on what charge?

 

Peter: Oh, a bunch of them … Campaign finance fraud and as an accessory to murder.

 

Neal: He also knows about Barrow.

 

Peter: I also know about Barrow. Nothing to say to that?

 

Jennings: I want my lawyer.

 

Neal: Good choice. Oh, peter.

 

[Neal turns on the TV.]

 

Peter: Hmm? Oh.

 

Reporter: A new bond measure has been placed on the ballot that, if passed, will assure this field will be the new home of Timmy Nolan memorial park.

 

Peter: Who's Timmy Nolan?

 

Neal: I have no idea. You guys have to invent him.

 

Reporter: The greater good of the community, in this case by a little boy named Timmy Nolan and an old-fashioned game of stickball.

 

Peter: Look at you. You got a park built.

 

 

*******************************************************************

 

[Diana gives a file to Neal.]

 

Neal: Peter, how could you keep this from me?

 

Diana: I'm sorry, boss. He needed to know.

 

Peter: Neal …

 

[Neal shows the picture of Peter with a mustache.]

 

Neal: I expected more "Magnum, P.I."... And less super Mario.

 

Peter: I burned all those. How did you … give me that.

 

Neal: Oh, no, no.

 

Peter: Come on, let me …

 

Diana: It's more Burt Reynolds, no?

 

Neal: Mamamamario !

 

Peter: It isn’t funny. You look good in orange.

 

Diana: That's for making me flirt with Caffrey.

 

Peter: All right. Fair enough, fair enough.

 

[Neal show the picture to the employees.]

 

Neal: who wants it? Who wants it? Take it guys.

 

Peter: What else you have?

 

Diana: Facial recognition came back.

 

Peter: And?

 

Diana: Nothing on our mystery man.

 

Peter: Who are you?

 

 

 

THE END.

 

 

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natas  (02.09.2017 à 19:42)

Très drôle !

Avec Mozzie et Peter, Elisabeth qui appelle pile au moment sur les recherches et la photo de la moustache.

Chou la scène Diana et Neal !

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Merci aux 2 rédacteurs qui ont contribué à la rédaction de cette fiche épisode

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