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#203 : Le copieur

Peter renvoie Neal à l’école après que quelqu’un ait copié son mode opératoire dans une affaire de vol de tableau. Alex est de retour avec de mauvaises nouvelles et Diana découvre que la boîte à musique cache quelque chose…

Popularité


4.88 - 8 votes

Titre VO
Copycat Caffrey

Titre VF
Le copieur

Première diffusion
27.07.2010

Première diffusion en France
19.04.2011

Photos promo

Peter Burke (Tim DeKay) et Neal Caffrey (Matt Bomer)

Peter Burke (Tim DeKay) et Neal Caffrey (Matt Bomer)

Alex Hunter s'énerve contre Neal Caffrey

Alex Hunter s'énerve contre Neal Caffrey

Neal Caffrey (Matt Bomer)

Neal Caffrey (Matt Bomer)

Peter Burke au téléphone à côté de Neal Caffrey

Peter Burke au téléphone à côté de Neal Caffrey

Peter Burke et Neal Caffrey

Peter Burke et Neal Caffrey

Plus de détails

Réalisé par : Paul Holahan

Ecrit par : Channing Powell

En route pour le bureau Neal et Peter découvrent dans le journal qu'une peinture de Lewis Thayer estimée à 4 millions de dollars a été volé. Arrivés au bureau Mme Jeffries, qui tient la galerie d'arts où était exposée la toile leur apprend que le voleur a réussi à neutraliser les alarmes. De plus le voleur a agit de jour lors de la relève de la sécurité. Peter assure qu'ils feront tout pour retrouver la peinture mais que les choses auraient été plus simple si la presse n'avait pas été mise au courant. Jeffries réplique que la galerie n'est pas la source de la presse. C'est un anonyme qui a prévenu celle-ci. Le voleur cherche a attiré des clients pour se débarasser au plus vite de la toile.


Neal sort pour rejoindre Mozzie, a qui il a demandé d'obtenir des informations auprès de ses nombreux contacts. Un d'entre eux est avec Mozzie, Alex. Celle-ci est restée très discrète depuis l'explosion de l'avion, beaucoup de personnes posant des questions. Elle a donc du mal à travailler depuis mais a entendu parler du Thayer. Celui-ci serait à Dubaï. Lorsque Neal repare au bureau suite à un appel, Alex dit à Mozzie qu'elle a un gros problème.


Le Thayer réapparaît dans plusieurs pays, mais toutes les toiles trouvées s'avèrent être des contre-façons. La police des frontières ayant été prévenue immédiatement après le vol, le FBI en conclut que les contre-façons sont sorties du pays avant le vol. Le voleur a donc fait sortir les copies, volé la toile, prévenue la press pour se faire de la publicité, et revendu les contre-façons à l'étranger. Le voleur a copié l'une des méthodes de Neal.


En examinant les contre-façons Neal en conclut que le voleur a peint celle-ci devant l'originale et sous la lumière du soleil, en après-midi. Le Thayer a été deplacé sous une verrière pendant une exposition qui a eu lieu un peu plus tôt dans l'année. Grâce au registre des visites l'équipe remonte jusqu'à un étudiant en art de l'Eastside University, Justin Magary.


Peter et Neal se rendent à l'université pour interroger l'étudiant. Celui-ci qui a été filmé en train de faire les copies, répond qu'il n'a fait que répondre à une annonce en ligne sur le site de l'université qui demandait 7 copies de la toile. Il dit n'avoir jamais rencontré directement l'acheteur mais est resté caché pour voir qui viendrait récupérer les toiles et confie à Peter un dessin d'une jeune femme.


Quand il rentre chez lui ce soir là, Neal y découvre Mozzie et Alex qui se disputent. Alex a contacté Mozzie parce que quelqu'un a mis un prix sur sa tête pour la boîte à musique. Elle a besoin d'argent pour disparaître et Mozzie l'a mise en contact avec une ancienne connaissance de Detroit, Russel Smith. Il lui a demandé de revendre des Krugerrands mais celui-ci a découvert qu'elle était mise à prix et est prêt à la vendre si elle n'arrive pas à trouver un acheteur. Neal lui promet de trouver un moyen d'arrêter Smith et d'aider Alex. Après le départ de la jeune femme, Neal exprime sa surprise qu'elle ait choisi de se tourner vers Mozzie plutôt que vers lui pour demander de l'aide. Mozzie suggère qu'elle ne voulait peut être pas le voir déchirer depuis la mort de Kate.


Le lendemain au bureau Diana apprend à Peter que la jeune femme du dessin est aussi une étudiante d'Eastside, Veronica Naylon. La jeune femme s'avère avoir d'excellentes notes en criminologie. Matière qui a consacré une semaine entière à étudier les méthodes de Neal. Peter en informe Neal qui ne cache pas sa fièrté d'avoir été copié. L'escroc informe l'agent que pour réaliser un coup pareil il a fallu une équipe. Pour en découvrir plus Neal décide de se rendre au cours de criminologie. A son arrivée il évoque le vol de Thayer et estime qu'il n'y a pas d'intérêt à copier une méthode si on improvise pas un peu. George Oswald le professeur l'invite à monter sur l'estrade et à prendre la parole. A la fin du cours le professeur Oswaldd propose à Neal de le rejoindre dans un bar où il doit rencontrer ses meilleurs élèves.


De retour au bureau Peter et Diana informent Neal que d'autres criminels talentueux ont été copiés depuis une dizaine d'années. Ce qui correspond à l'arrivée d'Oswald à Eastside. Parmis les oeuvres volées figure un Matisse. Oswald doit utiliser ses élèves pour faire le sale boulot. Interpol a trouvé les revendeurs des contre-façons, Oswald ne peut donc plus se tourner vers eux et a besoin de quelqu'un sur le sol américain pour revendre l'original.


Neal rejoint les étudiants au bar et leur apprend quelques uns de ses tours. Veronica et Manny Veselic sont impressionnés contrairement à Eric Taylor. Neal lui propose de faire un tour de carte à une jeune femme au bar, qui n'est autre qu'Alex. Bien entendu Eric n'arrive pas à tromper la jeune femme. Oswald fini par les rejoindre et se présente à Alex. En sortant du bar Alex informe Neal que Smith veux vendre les Kruggerrands dimanche, si ce n'est pas fait il la vend. Neal a un plan. Neal va informer le bureau qu'Oswald et ses élèves ont l'intention de voler les Krugerrands. Le Bureau ira interroger Smith et tout le monde pensera qu'il coopère avec les fédéraux. Il perdra ainsi toute crédibilité.


Le lendemain Neal retrouve Oswald et son groupe d'élèves à l'université. Rapidement Alex fait son apparition. Les deux arnaqueurs feignent une dispute dans le but de convaincre de Oswald de voler les Kruggerands à Smith. Avec l'aide de Neal il monte donc un plan. Le jour de la vente des Kruggerrands, le FBI remplace Smith par Jones qui se fait "voler". Neal récupère le butin qu'il laisse dans un casier du campus pour qu'Oswal les récupère. L'équipe n'a plus qu'à surveiller le casier et attendre l'arrivée d'Oswald.


Plusieurs heures passent sans que personne n'approche le casier. Jones rejoint l'équipe dans le van et leur apprend que Smith qui est en garde à vue a appelé quelqu'un qui n'est pas son avocat. Il a informé cette personne qu'il peut encore lui livrer Alex si sa caution est payée. Neal se voit obligé d'avouer les problèmes d'Alex. L'équipe fini par aller voir le casier qu'ils découvrent vide. Oswald a utilisé une des techniques de Neal pour récupérer la malette en découpant le fond du casier.


Peter rend visite à Neal chez lui pensant y rencontrer Alex mais tombe sur Mozzie. Neal avoue avoir utilisé le Bureau pour empêcher Smith de trahir Alex. Mozzie avoue pour sa part que Smith est l'un de ses vieux contacts de Detroit.


Maintenant qu'Oswald cherche à revendre les Krugerrands et le Thayer, Peter lui rend visite dans sa salle de cours en se faisant passer pour le "Peacemaker" un mafieu de Detroit. Il explique que les Kruggerands volé étaient les siens et qu'il veut les récupérer ou en obtenir 3 milllions de dollars en liquide, sinon...


Oswald rencontre Alex avec qui il passe un deal et lui donne le Thayer. Peter et Jones font leur entrée et arrêtent Oswald. Peter donne ensuite un billet d'avion sur un vol sécurisé en partance pour l'Italie à Alex en spécifiant qu'il s'agit de l'idée de Neal. Il informe aussi la jeune femme que le Bureau a remercié publiquement Smith pour son aide apportée dans l'affaire. Alex n'a donc plus rien à craindre de lui. La jeune femme le remercie et part.


Au cours d'Oswald Peter et le FBI arrêtent Veronica, Manny et Eric.


Chez les Burke, Diana montre à Peter un petit trou dans la boîte à musique, où elle pense qu'un chérubin peut être introduit. Peter arrive à ouvrir le boîte à musique qui commence à jouer un morceau.


Neal retrouve Alex alors qu'elle est sur le point de prendre un taxi direction l'aéroport. Le chauffeur veut mettre une des paquets de la jeune femme dans le coffre mais celle-ci insiste pour le garder avec elle. Neal mentionne le fait que le Matiss volé par Oswald n'a pas été retrouvé chez lui... Avant de partir la jeune femme lui demande d'être prudent et lui confie le chérubin qu'elle garde toujours avec elle, en signe d'abandon de son obsession pour la boîte à musique. Elle conseille Neal d'en faire autant.


A la fin du morceau Peter pense que quelque soit le secret de la boîte à musique celui-ci n'est pas la musique. L'agent pense que le chérubin manquant est la clé de ce secret. Neal qui l'a dans ses mains sourit en le regardant après le départ d'Alex.

 

Ecrit par laurine03

 

203: Copycat Caffrey

 

 

Neal: How you doing today, sir?

 

Newsboy: Very well, thanks. Thank you.

 

Peter: I hope you're not admiring your own work.

 

Neal: I wish I was. But I got a pretty good alibi. I was working with you yesterday.

 

Peter: I'll be sure to back you up when we talk to the Lamson Gallery. The curator is waiting for us upstairs.

 

Neal: I love a good art heist.

 

Peter: Solving a good art heist.

 

Neal: That's what I said.

 

[Peter takes the newspaper.]

 

Peter: Let me see that. Lewis Thayer's "untitled #2." It's worth $4 million. You'd think for that kind of money he'd have bothered to come up with a title.

 

Neal: It is one of his seminal pieces.

 

Peter: Is it a fad or talent that drives up the price?

 

Neal: Both. Neither. Don't try to understand the peculiarities of the pop-art market.

 

Peter: Would you pay $4 million for that?

 

Neal: "Pay"?

 

Peter: Yeah. You're the wrong guy to ask.

 

 

*******************************************************************

 

 

Peter: Miss Jeffries, I'm special Agent Burke. This is Neal Caffrey.

 

Neal: How you doing?

 

Peter: Tell us what happened.

 

Miss Jeffries: Well, as you can see, the "untitled #2" was simply cut out of its frame.

 

Peter: How does someone pull a down-and-dirty slash and grab from a major gallery?

 

Neal: It's one of the few options left if you want to knock over a high-security...

 

Peter: I was talking to her.

 

Miss Jeffries: Mr. Caffrey's right. We have sensors in the frame, but nothing attached to the canvas.

 

Neal: Cutting it out of the frame circumvents the alarms.

 

Peter: Got it. Security cameras?

 

Miss Jeffries: The theft occurred during our daily security-tape swap.

 

Peter: So we're not dealing with complete amateurs.

 

Neal: No. Actually, it sounds like a pretty good plan.

 

Miss Jeffries: What are the odds you'll be able to recover the painting?

 

Peter: Well, it would have made my job a lot easier if you had kept it from the press.

 

Miss Jeffries: We did.

 

Peter: Somebody didn't.

 

 

*******************************************************************

 

 

Jones: Anonymous tip.

 

Diana: Do we think our thieves called it in?

 

Neal: Good chance. Headlines attract black-market buyers.

 

Peter: Which means they want to move the painting quickly.

 

Neal: I can ask around.

 

Peter: Good. Run your street contacts. Diana, you've got Europe. Check with Interpol. Jones, you're on Asia. Check with the ALAT over there.

 

Jones: Yep.

 

Peter: What?

 

Neal: Do you mind? I need to check my street contacts.

 

Peter: Calling Mozzie?

 

Neal: He's good at this kind of thing.

 

Peter: You sure he didn't do it?

 

[Peter leaves and Neal calls Mozzie.]

 

Neal: Slash and grab… Frame's too high.

 

Peter: Yeah.

 

Mozzie: Hello?

 

Neal: Hey, Moz, the Lamson is missing a Thayer.

 

Mozzie: I didn't steal it.

 

Neal: I know.

 

Mozzie: Reward?

 

Neal: Sizable.

 

Mozzie: All right. I'm on it.

 

[Neal hangs up.]

 

 

*******************************************************************

 

 

[Mozzie waiting near a statue. He has a cane and strikes three times on the ground with the cane.]

 

Mozzie: What are you doing here? I said meet me in an hour.

 

Neal: And you found a source in less than an hour. That's pretty quick, Moz.

 

Mozzie: I only deal with professionals.

 

Neal: And you asked about a reward, which you never ask about. So I'm starting to think you're talking to somebody else and not telling me.

 

Mozzie: You're paranoid.

 

Neal: Who's your fence, Moz?

 

Mozzie: I'm friends with many people of unsavory character.

 

Neal: Mm-hmm. How long you been talking to her?

 

Mozzie: I know not of who you speak. Sorry. Meeting aborted. My sources spook easily. They have to think I'm a vault. Meeting aborted!

 

Neal: Sounds like the meeting's still on.

 

[Neal bypasses the statue.]

 

Alex: I can't believe I'm saying this. I saw a mockingbird in the park.

 

Neal: What color was the mockingbird?

 

Mozzie: The bird died. Let's go.

 

Neal: What are you doing here, Alex? I've never known you to go skulking around after reward money.

 

Alex: Well, after the plane blew up, a lot of people were asking questions. I'm trying to stay off the radar. Makes it hard to find work.

 

Neal: You came to Mozzie, not to me?

 

Alex: He's not tethered to the FBI.

 

Mozzie: Two taps meant "abort," by the way.

 

Alex: Or you could have just yelled "abort." I found the missing Thayer painting. It was fenced in Dubai.

 

Neal: Thanks. But you didn't come all this way just to say that. What are you really doing here, Alex?

 

Alex: I needed to talk to Mozzie. Alone.

 

Mozzie: What did I do?

 

Alex: We'll talk.

 

Neal: We're not friends anymore?

 

[Neal’s cell phone rings. He turns off.]

 

Neal: What's up, Peter?

 

Peter: Got news about the painting. Meet me in the office.

 

Neal: On my way. Got to go back to the office. We'll talk later.

 

[Neal leaves.]

 

Mozzie: What are we talking about?

 

Alex: I've got a big problem.

 

Mozzie: Yeah.

 

[Mozzie leaves.]

 

 

*******************************************************************

 

 

Peter: Great, great. Overnight it. I found the painting.

 

Neal: How did you find it? I found it.

 

Peter: Where?

 

Neal: It was fenced to a textile magnate in Dubai.

 

Peter: A hotel heiress in Budapest just turned hers in.

 

[Jones and Diana arrive.]

 

Jones: Good news.

 

Neal: You found the painting overseas.

 

Diana: Scotland yard has it.

 

Peter: It's also in Dubai and Budapest.

 

Jones: What?

 

Neal: They're forgeries.

 

Diana: All of them? How do you know?

 

Peter: Because customs clamps down when a theft occurs. The risks of getting the original out are too high.

 

Neal: But if you make forgeries ahead of time and take them out of the country before the heist, you're in the clear. Steal the Thayer, leak the theft to the press, then sell the forgeries.

 

Peter: And the original never leaves the country.

 

Diana: You've seen this scam before?

 

Peter: I know someone who...

 

Neal: Allegedly. ...

 

Peter: Allegedly pulled it off before. We have a copycat on our hands.

 

Diana: Who are they copycatting?

 

Neal: Me.

 

 

*******************************************************************

 

 

Generic

 

 

*******************************************************************

 

 

[Peter, Neal and Miss Jeffries are in a room of the FBI. They observed three identical paintings. It’s the forgeries.]

 

Peter: So you've confirmed, these are all forgeries.

 

Miss Jeffries: Yes. All of them.

 

Peter: Neal? Neal?

 

Neal: I don't think our forger went off a photograph. I think they stood in front of the original when they painted these.

 

Peter: How do you know that?

 

Neal: Thayer used the "Ben-Day dots" method to show shading. He spread paint across a paper stencil and pushed it against the canvas with a brush. The shadowing in these paintings is more deliberate. It's minute, but these dots grow starker at the bottom. The forger probably started these in afternoon light, when the color was slightly more red. They also didn't realize they caught the painting when the light was pouring directly down on it, causing a deeper contrast at the bottom.

 

Peter: There's no lighting overhead. Was this painting ever hanging below that skylight?

 

Miss Jeffries: Yes. In late April. We had a pop-art show. We wanted to display the Thayer prominently.

 

Peter: Then we should check the registration log for April.

 

Neal: Probably looking for a student... talented but still experimenting with technique.

 

Peter: Someone like Justin Magary from East Side University. He stopped by on the 21st of April at 1:45.

 

Neal: That would be afternoon light.

 

 

*******************************************************************

 

 

[Neal and Peter walking on a street.]

 

Peter: What's that on your face? I haven't seen you this happy in a while.

 

Neal: You know, it's a beautiful day.

 

Peter: You're excited someone's copycatting you.

 

Neal: Imitation, flattery... You know what they say.

 

Peter: Mm-hmm. You ever been on a campus?

 

Neal: Not as a student.

 

Peter: And yet you have three MBAs and two doctorates.

 

Neal: Clearly something wrong with the system. Too bad you faked it.

 

Peter: They could have made copies of you and filled up a frat house.

 

Neal: Oh, are we bitter we weren't invited to the party?

 

Peter: Oh, it's just with my father's construction salary, I had to stick to the grindstone. Four years of advanced math on scholarship, then two years of accounting.

 

Neal: I still can't imagine you hunched over a desk with a little visor, doing my taxes. You're lucky the FBI hires mathletes.

 

Peter: I was not a mathlete. I was an athlete who was good at math.

 

Neal: Yeah. We fraternity guys call you "nerds."

 

Peter: So, why'd you forgo school and go to New York?

 

Neal: Sorry, but we're here to interrogate someone else.

 

 

*******************************************************************

 

 

[Neal and Peter enter a room. Some pupils draw a naked woman.]

 

Peter: See what you missed out on?

 

Neal: I'm reconsidering my position on college.

 

Peter: Focus.

 

[Neal looks at the drawings of pupils. He stops at one.]

 

Neal: Peter...

 

Peter: Justin Magary?

 

Justin: Yes?

 

Peter: We need to talk to you.

 

Justin: Why?

 

Peter: What do you know about Lewis Thayer's "untitled #2"?

 

Justin: Uh...Nothing. I-I mean, I know it, of course.

 

Peter: You ever painted one? It's a good question.

 

Justin: I probably shouldn't say anything.

 

Peter: We've got you on a camera sketching it at the Lamson gallery in April.

 

Justin: That's legal, right?

 

Peter: Not when three of your copies are fenced as the real thing. That turns them into forgeries... Which is illegal.

 

Neal: I can vouch for that.

 

Peter: It's looking pretty bad for you, kid. If you talk to me, I can help you.

 

 

*******************************************************************

 

 

[Neal, Peter and Justin are in the FBI’s offices.]

 

Justin: A while ago, I answered an ad on the school's list server for reproductions. I get an e-mail back commissioning seven copies of "untitled #2."

 

Peter: Seven? Did you wonder why somebody would want seven copies?

 

Justin: You know how hard it is to make money as an art student doing art?

 

Peter: Who hired you?

 

Justin: I didn't meet them. They dropped the materials off in my mailbox. And once I'd finished, they said to leave the paintings in the rec center and that the money would be left in my box again. I thought it was weird that they didn't want to meet, so I...

 

Neal: so you stayed and watched the pick-up?

 

Justin: Yeah. I wanted to make sure it was legit. And she seemed normal, so I let it go.

 

Peter: All right, if you sat down with a sketch artist, do you think you could remember what she looked like?

 

Justin: May I?

 

Peter: Yeah.

 

[Justin looks drawings.]

 

Justin: This is her.

 

 

*******************************************************************

 

 

[Neal enters his flat. Alex and Mozzie are in.]

 

Alex: My fault?! It's your fault!

 

Mozzie: This would never have happened if you kept a lower profile! That's why I work in code.

 

Neal: Anything I can do?

 

Alex: I don't need your help.

 

Mozzie: She needs your help.

 

Neal: Alex?

 

Mozzie: Someone's looking for her.

 

Neal: Who?

 

Mozzie: She thinks it has something to do with the music box.

 

Neal: Why?

 

Mozzie: Well, she thinks...

 

Neal: Just let her talk.

 

Alex: I don't know who, but they've got a powerful reach, and they've turned over a lot of stones.

 

Neal: All right, what can I do?

 

[Alex throws a coin to Neal.]

 

Neal: Krugerrands?

 

Alex: I needed the money to disappear.

 

Mozzie: I hooked her up with someone who deals in Krugerrands.

 

Alex: I've been fencing some in increments.

 

Neal: Who's the guy?

 

Mozzie: Russell Smith. Old friend from Detroit.

 

Alex: Some friend... Russell found out someone's looking for me, and now he's gonna sell me out. I need you to shut him up.

 

Mozzie: Short of killing him, I'm open to ideas.

 

Neal: Give me some time. I'll figure something out. You know I won't let anything happen to you.

 

Alex: Thanks.

 

[Alex leaves the flat.]

 

Neal: She comes to you and not to me?

 

Mozzie: Far be it for me to act as therapist, but... Maybe Alex doesn't want to see you heartbroken over Kate.

 

Neal: Or maybe it's the tracking anklet.

 

Mozzie: Sure, the anklet.

 

 

*******************************************************************

 

 

[Diana enters in Peter’s office.]

 

Diana:  Found our girl. Justin's got talent.

 

Peter: If ever we're short a sketch artist, I know who to call. Who is she?

 

Diana: Veronica Naylon.

 

Peter: Did she send the e-mail?

 

Diana: Can't be sure. The account's defunct, and the address was generic. Both the ad and e-mail account were created at the school computer lab, so anyone could have done it. Here's her work-up.

 

[She gives a file to Peter.]

 

Peter: Junior, majoring in archaeology, mediocre grades, no priors. How does an average 21-year-old student from the Upper East Side pull this off?

 

Diana: You think she has accomplices?

 

Peter: Maybe this is where she met them. She's an archaeology major, but she's currently acing a criminology class.

 

Diana: It's the one class she's pulling an "a."

 

Peter: How appropriate.

 

Diana: Oh, if you like that, you'll love this... syllabus for the class.

 

(She gives another file to Peter.]

 

Peter: Oh. He's gonna be impossible after this. Where's Neal?

 

[Peter goes to see Neal.]

 

Peter: Oh, look at you. You'd think being copycatted was like winning the crime Oscar.

 

Neal: What? I'm not allowed to revel?

 

Peter: All right, take me through your version of this scam. How many players are involved?

 

Neal: You'd need a forger, a thief, and a couple fences.

 

Peter: Not the kind of thing you'd pull off by yourself?

 

Neal: Not unless you can be in multiple places at once. I mean, it's a sophisticated job. I doubt Justin or our mystery girl thought of it themselves.

 

Peter: No, but they might have figured it out by studying you. Our mystery girl, Veronica... She's acing a criminology class. Here's the syllabus.

 

Neal: They spent a week on me?

 

Peter: Apparently you're one of the interesting criminals of the 21st century.

 

Neal: "A new breed of forger, technological virtuoso." Wow. "With a classical artistic foundation." They got it.

 

Peter: Yeah, yeah. I read it.

 

Neal: Oh, they covered the Antioch manuscripts. Did you see that?

 

Peter: Yeah, I know. Relax. They only covered you for a week. By the end of the year, they probably won't remember your name.

 

Neal: Well, obviously, a few of them will. You think she formed a crew in this class?

 

Peter: People have been known to fall for a pretty face. If Veronica had help, I don't want to scare them away by my talking to her just yet.

 

Neal: Well, I can talk to her.

 

Peter: Now you're reading my mind.

 

Neal: Anklet?

 

Peter: I'll pull it for this one. You ready to go back to school?

 

Neal: I think I can handle that.

 

Peter: Good.

 

Neal: 'Cause I'm a technological virtuoso.

 

Peter: Okay.

 

Neal: With a classical artistic foundation.

 

Peter: Okay, okay. Read it to yourself. Quiet now.

 

Neal (to the room): Did you guys see this syllabus?

 

Peter: Oh, we don't need to share.

 

Neal: I'm in it. Yep. Go, team!

 

 

*******************************************************************

 

 

Teacher: The Koechert diamond pearl was stolen by Gerald Blanchard in 1998. It took them a full two weeks to realize that the jewel was missing because Blanchard replaced it with a pretty darn good costume replica. He circumvented the alarms... At the Viennese castle by parachuting onto the roof, if you can believe it or not. Some people have called this the perfect crime.

 

Neal: I wouldn't say he was perfect. And Blanchard overshot his landing. He, uh, slipped on the tiles but saved himself by grabbing a railing on the castle's roof. So I'd say he loses marks for style.

 

Teacher: Excuse me... I believe we have a celebrity in our midst. This is Mr. Neal Caffrey. To what do we owe the honor, sir?

 

Neal: I understand you study the best criminals. I share that interest. Wow. You... you seem like a very capable teacher.

 

Teacher: Oh, please. You know, you would be a far better t... hey, why don't you... could you come up here and answer some ques... class, wouldn't you love to have Neal Caffrey up here, teaching? Come on. We would love to have some of your expertise. Pleasure to have you.

 

Neal: Pleasure to be here.

 

Teacher: Please...

 

Neal: All right, well, we'll stick to the hypotheticals and anything covered by the statute of limitations. Who's first? Oh, wow. All right. How about you?

 

Neal: In theory, the carrier pigeons only carried the vault combination... they didn't carry the manuscripts. Next question?

 

Veronica: When executing a heist, Mr. Caffrey, do you prefer boxers or briefs?

 

Neal: I think some things are better left to the imagination.

 

Eric: There's not much written about your arrest. How'd you get caught?

 

Neal: Momentary lapse in concentration.

 

Eric: So the FBI had nothing to with it?

 

Neal: Oh, they'd like to take credit for it, but essentially, I turned myself in.

 

Student: Recently, you were suspected in the la Joyau diamond heist...

 

Neal: suspected and then cleared. I served my four years, and I decided I didn't want to go back. Been living like all you ever since then. Or trying to.

 

Teacher: Okay. Let's thank Mr. Neal Caffrey. Thank you. Remember, everybody, read chapters 12 through 15 of Lovell for next week. Thank you so much, Mr. Caffrey. Fascinating.

 

Neal: It's the least I could do. You know, I thought I should participate in my own copyright infringement.

 

Teacher: Excuse me?

 

Neal: It's a little green to rip off someone's con unless you improve it. You and your kids could use a little tutoring.

 

Teacher: I'm sorry. I-I don't know what you're talking about.

 

Neal: The Thayer theft. Hey, don't get me wrong, man. I'm flattered. But, uh... I'd like to be cut in. You know, I did lay the groundwork.

 

Teacher: Well, I'm sorry to disappoint you, but I'm a professor who teaches crime. I don't go out there and commit them.

 

Neal: Okay.

 

Teacher: Mr. Caffrey... Um, I get together with a group of students after class.

 

Neal: Yeah, you got some bright kids in here. Yeah, there's a few of them. We go to a bar called the globe, around the corner. Be thrilled if you would join us.

 

Neal: The globe?

 

Teacher: Yeah.

 

Neal: I'll think about that.

 

Teacher: I think you might find it interesting.

 

Neal: Have a great day.

 

Teacher: Thank you. And thanks again.

 

Neal: Thank you.

 

[Neal leaves.]

 

 

*******************************************************************

 

 

[Peter, Diana and Neal are listening the record.]

 

Eric: So the FBI had nothing to with it?

 

Neal: Oh, they'd like to take credit for it, but essentially, I turned myself in.

 

[End of the record.]

 

Neal: Think we've heard enough.

 

Peter: Suddenly I don't feel bad about telling you this. You're not the only person they've been copying.

 

Neal: What?

 

Peter: Seems those who can also teach. We cross-checked all of the crimes on Professor Oswald's syllabi since he started teaching 10 years ago.

 

435

Diana: We suspect he counterfeited a bank note last year, forged an Emerson letter, and smuggled Egyptian artifacts.

 

Neal: He copied Tokley-Perry? Well, felony by proxy... you got to give him credit.

 

Peter: We also think that he might have stolen Matisse's "view of saint-Tropez."

 

Neal: Matisse? That's a serious payday.

 

Peter: Unfortunately, this is all speculation. Oswald is taking advantage of his students, and Justin is going to go down for this unless we can prove it wasn't him.

 

Neal: Well, we have one card left. We know about the Thayer. Oswald's hiding it somewhere.

 

Peter: He's not gonna give it up soon. Interpol found the fences who sold the forgeries abroad.

 

Diana: They know they're being watched. They're out of play.

 

Neal: So he'll need a local fence.

 

Peter: You have something in mind?

 

Neal: Maybe. What's the FBI's policy for drinking on the job?

 

 

*******************************************************************

 

 

[Neal is at the bar with the students and the Professor.]

 

Veronica: Good. Okay, show us something else.

 

Neal: Bet you another $20 I can drink this shot without touching that hat.

 

Veronica: You're on.

 

[Neal puts the hat on his glass.]

 

Neal: Done.

 

Many: You didn't drink it.

 

Neal: Done.

 

[Veronica raises the hat and Neal drinks his glass.]

 

Many: That's not fair!

 

Neal: Oh, I didn't say it was fair. I said I could drink it without touching the hat.

 

Veronica: I'm only mildly impressed.

 

Eric: This is all small-time.

 

Neal: Oh. You guys, uh... You want something bigger? Manny, I think I saw a $50 in your wallet. Can I have it?

 

Manny: Why?

 

Neal: You're paying with $100s, Manny. I don't think you'll miss it.

 

Veronica: Just give him the $50.

 

Manny: Hey, where's my wallet?

 

[Neal removes the wallet from his pocket.]

 

Manny: How did you do that?

 

Neal: Always make your lifts with two fingers. That way your thumb doesn't bump up against the mark.

 

Eric: Tell me something I don't know.

 

Neal: And never, never think you're the smartest guy in the room. Unless you're the smartest guy in the room. Oh, uh, you want to keep your place in that deck? Keep the tip of your little finger in the brief.

 

Eric: I think I know what I'm doing.

 

Neal: Want to put some money on that?

 

Eric: Sure.

 

Manny: Hey!

 

Eric: Who's the mark?

 

Manny: That's my $50 !

 

Neal: how about her?

 

[Eric and Neal go to the girl. It’s Alex.]

 

Eric: Hi, I'm Eric.

 

Alex: Alex. Nice to meet you.

 

Eric: Alex, pick a card.

 

Alex: This looks like fun.

 

Eric: So, put it back on top and cut it for me, would you?

 

[Alex cuts the game and hides the card in her hand.]

 

Eric: Okay. Okay, now, the card I stop at is gonna be yours.

 

Alex: He doesn't think it will be.

 

Eric: He's wrong.

 

Alex: 200 bucks says he's right.

 

Eric: No. I can't take your money.

 

Alex: Why not? You can't make bets with girls?

 

Eric: And that's your card.

 

Alex: And, no, it's not.

 

Eric: Well, that was supposed to be your card.

 

Alex: Now, I guess he was right.

 

[She takes the money.]

 

Alex: Sorry.

 

Oswald: I believe this is her card, Eric. She and Caffrey played you. She's his, uh, "inside man," if you will.

 

Alex: Nice catch.

 

Neal: Look, we weren't gonna take your money.

 

Eric: Yeah, right.

 

Alex: Check your pocket.

 

Oswald: I guess the lesson here is never con a con man.

 

Neal: I think we all know what the lesson is for today, don't we, Eric?

 

Eric: Yeah. Yeah, I guess I'm not the smartest guy in the room.

 

Oswald: Congratulations. You humbled him. That's not easy to do. I'm, uh, Professor George Oswald.

 

Neal: Alex Hunter.

 

Alex: Hi.

 

Oswald: What do you do besides card tricks?

 

Neal: Oh... She's in the moving business.

 

Oswald: Ah. Well, nice to meet you. If you want to join us for a drink, the next round is on Eric. Nice to meet you.

 

Neal: Be right there.

 

[Alex leaves. Neal catches up herself in the street.]

 

Neal: Hey, hey, hey, hey, hey. Thank you for backing me up in there.

 

Alex: Mozzie tells me to come to the bar because you have a plan and now I'm out 200 bucks and you're dropping my name.

 

Neal: Do you trust me?

 

Alex: No. Okay, I assume we're doing more than baiting frat boys with bar tricks. What's with the dead poets society in there?

 

Neal:  You know, it's my current case and the solution to your problem.

 

Alex: Russell wants to meet on Sunday to fence the rest of the Krugerrands, but it's a setup. He's gonna sell me out to whoever put the price on my head, and your plan is to bring the feds into it?

 

Neal: I tell the FBI that Oswald and his kids are gonna steal the Krugerrands. They'll pull Russell in and talk to him. It will kill his reputation. No one will be buying information off him if they think he's in bed with the bureau.

 

Alex: You're crazy.

 

Neal: It'll work.

 

Alex: You're crazy.

 

Neal: Are you in or are you out?

 

Alex: I'm in.

 

 

*******************************************************************

 

 

[Neal, Jones, Diana and Peter are in a FBI’s room.]

 

Neal: The kids do the legwork. Oswald fences the goods and kicks them back a share of the profit. If the kids get caught...

 

Peter: Oswald can sell them out.

 

Neal: Yeah, he'll say he was teaching a class, and they took it too far.

 

Diana: He's more slippery than you are.

 

Neal: Thank you.

 

Peter: Do you think you can get him to reveal the painting?

 

Neal: I don't know. They spent the night talking about the next best heist.

 

Peter: Which way are they leaning?

 

Neal: Everything from diamond heists to stealing boats. But I think we can choose for them.

 

Jones: How so?

 

Neal: I happen to know a petty crook who's moving Krugerrands on Sunday.

 

Peter: Gold Krugerrands? Of course you do.

 

Neal: His name is Russell Smith.

 

[Jones searches information on his computer about him.]

 

Jones: Bingo. Racketeering, extortion, robbery.

 

Neal: And I don't like him. We intercept Russell with the Krugerrands, send Jones down the street with the coins, and I get the kids to steal them from him instead.

 

Diana: We can watch them, follow the case back to Oswald.

 

Peter: Tell me more about this guy. How do you know him?

 

Neal: He's a friend of a friend.

 

Peter: Mozzie?

 

Diana: You can convince Oswald and the kids to go after him?

 

Neal: I can still be slippery. I'll get them to convince me.

 

 

*******************************************************************

 

 

[Oswald, Neal, Veronica, Manny an Eric are in a bar.]

 

Oswald: If jewels are the target, what are the challenges of extraction and export?

 

Veronica: How do we y enough time to get the jewels out of the country?

 

Eric: It'd be cool to pull a Blanchard... Buy a replica the day before and replace it with the real thing.

 

Manny: We could tunnel.

 

Neal: I'm not really big on shovels, Manny. Would you excuse me?

 

[Alex arrives.]

 

Alex: Everything is all set, okay?! You can't back out now!

 

Neal: Okay, look, keep your voice down, okay? He saw me it's over.

 

Alex: You can't walk away. I already have a buyer.

 

Neal: Then get someone else to make the grab, or tell your buyer to back off.

 

Alex: So I'm out a ton of money because you made a stupid mistake and got spotted?!

 

Neal: Yes.

 

Alex: You know, thanks for nothing, Caffrey!

 

Oswald (to the students): What's she talking about? I think she's talking about money.

 

Neal: That's good, that's good. Now walk away.

 

Alex: Can I slap you?

 

[She slaps Neal and leaves.]

 

Neal: Aah!

 

Manny: I bet that hurt.

 

Neal: Sorry about that.

Oswald: That's a little awkward. Lovers' quarrel?

 

Neal: We have a history. You know, we just... we don't work well together.

 

Oswald: Sounded like a certain job went awry.

 

Neal: I'm reformed, remember?

 

Oswald: Yes, of course. All right, listen, um... I have a class to teach. So, why don't you keep brainstorming, and, uh... Remember, in this theoretical discussion, there's no better teacher than this man here. All right? See you all later.

 

[Oswald leaves.]

 

Veronica: You know, you can tell us. What's your history? Former girlfriend?

 

Neal: Something like that.

 

Eric: Sounds like she has got a job for you, but you went and got spotted by the target.

 

Neal: Oh, you heard all that from over here? Well, she can be a little loud. No, look, guys, it's just a melon drop, okay? I'd tell you, but you'd say it was small-time.

 

Vronica: Well, what's the take?

 

Neal: Krugerrands. Gold.

 

 

*******************************************************************

 

 

Peter: You're sure the kids will be there?

 

Neal: Yeah, they'll be here. They think this is gonna be the easiest score they've ever pulled.

 

Peter: Oswald better show.

 

Neal: He will. The kids get me the Krugerrands, I drop them in the locker, and Oswald delivers them to his fence.

 

Peter: Just like that?

 

Neal: Just like that.

 

Jones: Russell is headed your way.

 

Peter: Our courier has arrived.

 

[Russell walks on the street with a briefcase.]

 

Peter: Russell Smith? FBI.

 

Russell: That's... I-I-I didn't do anything.

 

Peter: I need you to come with me.

 

[Peter leads Russell in the van.]

 

Peter: Krugerrands. Where'd you get these?

 

Russell: They fell off a truck. I want to talk to my lawyer.

 

Peter: Of course. What honest man doesn't? (to Jones) You ready for this?

 

Jones: Born ready.

 

[He takes the briefcase and walks on the street.]

 

Eric: Aah! Dude, watch where you're going!

 

Jones: I'm sorry about that. Here, let me help. Hold on.

 

Eric: Hey, get your hands off my stuff.

 

Veronica: What's going on?

 

Eric: Do you know how much I paid for those groceries?

 

 

In the van:

 

Diana: Here comes Manny.

 

 

In the street:

 

[Many takes advantage to the dispute to exchange the briefcase.]

 

Eric: This guy runs into me, and now he's trying to pocket my stuff.

 

Jones: Look, I'm not trying to steal anything. Okay? I'm just trying to help you out here.

 

Eric: Just hit and run me, then.

 

Veronica: Calm down. He's trying to help you.

 

Jones: Just listen to the lady. Handle it yourself, okay?

 

Eric: How about that? Walk along!

 

 

In the van:

 

Peter: Yeah, Jones deserves an Oscar.

 

Diana: Manny's approaching the drop.

 

[In the street Manny puts the briefcase on the flour. Neal passes and picks the briefcase.]

 

Peter: Smooth. I'm glad he's on our side. Caffrey is headed toward the lockers.

 

[Jones enters the van.]

 

Jones: How's it going?

 

Diana: So far, so good. You're a convincing mark.

 

Jones: Well, wait till they find out what I do for a living.

 

 

[Neal puts the briefcase in the lockers.]

 

Jones: Should we take the kids in?

 

Peter: Not yet. I don't want to spook Oswald. We wait.

 

 

[A few hours later they are still in the van.]

 

Neal: You guys should invest in some of those little, um, Christmas-tree air fresheners.

 

Peter: You don't like the van. Noted.

 

Jones: Peter. Peter, can I talk to you? We took Russell back to the bureau. He didn't call his lawyer.

 

Peter: Who'd he call?

 

Jones: Play it.

 

[He gives the cell phone to Peter.]

 

Peter: Neal. Neal.

 

Neal: What? I didn't do anything.

 

Peter: Explain this. Play it.

 

[Peter puts the cell phone on speakerphone.]

 

Russell: I'm not working with the FBI! They got me with the case. What was I supposed to do? Tell 'em I can still get 'em Alex Hunter, but they got to post bail!

 

Peter: Why is Russell talking about Alex Hunter?

 

Neal: Do you know who he's talking to?

 

Jones: Went to a burner phone.

 

Peter: Answer my question.

 

Neal: Alex is in trouble.

 

Peter: Alex is back? Damn it, Neal. I can't let my guard down for one day, can I? You used us to take Russell out of play. If you jeopardized this case...

 

Neal: I didn't, Peter.

 

Diana? It's 8:00. I don't think Oswald's gonna show.

 

Peter: Yeah, I guess he conned all of us.

 

Neal: Check the locker.

 

Peter: Why?

 

Neal: Check it.

 

[The team leaves the van and headed for the lockers.]

 

Jones: The case isn't here.

 

Peter:  Damn it! Did we ever lose visual on the locker?

 

Diana: No.

 

Peter: Then how'd he get the bag?!

 

[Neal studies the locker and found that the locker provides access to a room situated behind the locker.]

 

Neal: He was here the entire time.

 

Peter: So help me, if this was part of your plan...

 

Neal: It wasn't. Oswald improved my con.

 

Peter: Then you better figure out how to catch him.

 

 

*******************************************************************

 

 

[Neal is with Mozzie in his flat. Someone knocks at the door. Neal opens the door.]

 

Neal: Hey.

 

Peter: Hey. Oh, why is he here? I asked for Alex.

 

Mozzie: Understandably, my client does not trust the FBI. She has asked her lawyer to preside in her absence.

 

Peter: Got a nice little practice going?

 

Mozzie: I do all right.

 

Peter: Helps when you're friends with criminals. Thanks to you two, I got a pound of shrapnel in my ass from today's misfire. Tell me why you really put us onto Russell. And it better be good.

 

Neal: Someone's looking for Alex. Russell said he could deliver her, and we took him out of play before he could.

 

Peter: Who's looking for her?

 

Neal: Probably the same people who killed Kate. If Oswald has the coins, he'll try and fence them eventually.

 

Peter: That's what I'm counting on. And you're gonna help make that happen. We're gonna make Oswald reveal the Krugerrands and the painting.

 

Mozzie: Well...How?

 

Peter: Those coins belonged to someone who probably wants them back, right? Tell me who.

 

Mozzie: Uh...Russell may or... or may not be an old connection from Detroit... Of the Don Corleone persuasion.

 

Peter: The Detroit mob?

 

Neal: Yeah.

 

Peter: All right, I'm gonna have to convince Oswald I'm in with them.

 

Neal: What if he recognizes you?

 

Peter: He won't. Unlike you, the bureau makes sure that my picture doesn't get in the paper. He knows you. You... I don't trust. So...

 

Mozzie: Impossible. He studies crime for a living. You'd need an expert on the Detroit mob to pull that o... Oh.

 

Peter: I just found my expert.

 

 

*******************************************************************

 

 

[Peter enters in Oswald’s class. Oswald can’t see the face of the man. Peter wears a headset and Mozzie dictated his text.]

 

 

Oswald: Hello? Can I help you?

 

Peter: You took something of mine.

 

Oswald: Is that so?

 

 

In the van:

 

Mozzie: Tell him you're the peacemaker.  That's an old Detroit player. Do it.

 

 

In the class:

 

Peter: I'm the peacemaker.

 

Oswald: Well, I don't recall starting any wars. I'm sure, uh... This is a misunderstanding.

 

Peter: You stole my Krugerrands, and I want them back.

 

Oswald: K-k-Kru... Kru... Listen, I don't have time for jokes. Okay.

 

[Peter pointed a gun at him.]

 

 

In the van:

 

Mozzie: When it's a matter of our missing money, I never joke.

 

 

In the class:

 

Peter: I never joke. This picture tells a story, Professor.

 

Oswald: I don't see myself in that story.

 

Peter: No, but you see the case. And now you've got it.

 

 

In the van:

 

Mozzie: Tell him you'll cut off his hands if he doesn't pay up.

 

Jones: What?

 

Mozzie: It's the Detroit mob, not the girl scouts.

 

 

In the class:

 

Peter: I wouldn't want anything to happen to your hands, Professor.

 

 

In the van:

 

Mozzie: I said cut off his hands!

 

Neal: Quiet, Moz.

 

 

In the class:

 

Oswald: All right, listen, listen, if you're the peacemaker, I'm sure we can find some common ground.

 

Peter: The Krugerrands were worth $2 million. I want $3 million for my trouble.

 

Oswald: Well, well, that's simply not possible.

 

Peter: Make it possible. Deliver it tomorrow.

 

 

In the van:

 

Mozzie:  Or I'll start with your thumbs.

 

 

In the class:

 

Peter: Or I'll start with your thumbs.

 

 

*******************************************************************

 

 

[Alex and Oswald are in a bar.]

 

Alex: I can get you $200,000.

 

Oswald: $200,000?

 

Alex: 10%.

 

Oswald: No, no, no, no. 30% is the going rate.

 

Alex: $600,000. Fine.

 

Oswald: Okay. I need that wired today. Okay?

 

Alex: No prob.

 

Oswald: How much can I get for this?

 

[He show a painting to Alex.]

 

Alex: Original Thayer. Very nice. I'll give you half a mil.

 

Oswald: Where does it say "dumb schmuck" on my face?

 

Alex: The painting's been sliced. Take it or leave it.

 

Oswald: Listen, it's cut at the frame line. Re-stretched, you're not gonna lose even an inch of canvas. You won't have any trouble finding an enthusiastic buyer in Macao or Singapore, and I think... You know that.

 

Alex: Ah, Professor's done his homework.

 

Oswald: Yes.

 

Alex: Okay. $2 million.

 

Oswald: Wired today.

 

Alex: Got it. I'll need your account and routing number.

 

Oswald: Testing me, were you? There you go.

 

Alex: It's a pleasure doing business, George.

 

Oswald: I wish I could say that...

 

Jones: FBI! Don't move! Hands on the table! Hands on the table! George Oswald, you're under arrest.

 

Oswald: No. No.

 

Peter: Good to see you again, Professor. Careful with his hands.

 

Oswald: I want to see my lawyer.

 

Jones: Come on, get moving.

 

Peter: Thank you, miss Hunter.

 

Alex: And I believe you've been looking for this.

 

Peter: Uh, per Neal's suggestion, we've booked you on a secure flight to Italy. And we made sure we publicly thanked Russell for his thoughtful and continued cooperation with the FBI.

 

Alex: Neal said you were the best.

 

 

*******************************************************************

 

 

[Peter enters Oswald’s class.]

 

Peter: Hello, everyone. Your Professor, George Oswald, will not be joining you today. Instead, I'm here as a recruiter... for the FBI. Hi, I'm special Agent Peter Burke. And these are some of my colleagues.

 

[Somme FBI’s employees enter in the class. Neal arrives.]

 

Peter: They studied criminology just like you, and now they get to catch bad guys for a living.

 

Jones (to Manny): FBI. You're under arrest.

 

Eric: Guys, s-stay calm.

 

Manny: Professor Oswald! He made us do it!

 

Veronica: Good job, Manny! Way to stay calm!

 

Manny: Veronica, let me handle this. No, listen to me. No, no, no, no, no. Listen, you don't understand. You don't understand.

 

Peter: If you think it's fun reading about these guys, wait until you experience the feeling of catching them.

 

Neal: Wow. For the record, I still maintain that I basically turned myself in.

 

Peter: The full weight of the FBI was bearing down on you.

 

Neal: Mm.

 

Peter: I wear a badge. He wears a tracking anklet. Applications are on the table.

 

Manny: You think we don't know how this works? We know how this works!

 

Veronica: Manny!

 

Eric: Shut your mouth!

 

Manny: I got this!

 

Veronica: Manny!

 

Manny: There's a lot of information that we have for you.

 

Eric: Manny, shut the hell up!

 

Peter: D.A.'s dream. Tripping over themselves to cut a deal. They're young. We'll probably give it to 'em.

 

Neal: Look at us. Saving America's youth from a life of crime.

 

Peter: Ah, we're a regular after-school special.

 

[Peter’s cell phone rings.]

 

Peter: (to Neal) One second.

Diana...

 

Diana: Boss, you have some time? I have something to show you.

 

 

*******************************************************************

 

 

[Diana brings the music box.]

 

Diana: At first I thought one of the cherubs had broken off. But take a look.

 

Peter: Narrow tunnel with a slight ridge. There's something there.

 

 

*******************************************************************

 

 

[Alex loads her luggage into a taxi. Neal arrives.]

 

Neal: Ah. Leaving so soon?

 

Alex: Venice is calling. (to the driver) Mm. Oh, y-you know what? I'm gonna actually keep that up here with me.

 

Driver: Okay, sure.

 

Neal: You know, it's interesting. They searched Oswald's house and found several of the things he was suspected of stealing... jewelry, Egyptian artifacts. But there was a Matisse...

 

Alex: Matisse?

 

Neal: Mm.

 

Alex: Hmm.

 

Neal: It was rumored Oswald had it, but it wasn't at his house.

 

Alex: That's shame. It'd be worth a fortune.

 

Neal: Yes, it would. It's about the size of your box there.

 

Alex: I'll keep an eye out. I could use the reward money.

 

Neal: I'm sure you could.

 

Alex: Goodbye, Neal.

 

Neal: Alex. Be careful.

 

Alex: You too. If someone's looking for me...

 

Neal: They're coming after me, too.

 

Alex: That's the last piece of the music box.

 

[She gives the piece to Neal.]

 

Alex: I'm giving up my obsession.

 

Neal: You're suggesting I give up mine?

 

Alex: Kate's gone. The rest of us are still here.

 

[Sea kisses Neal.]

 

Neal: Goodbye, Alex.

 

 

*******************************************************************

 

 

Diana: Whatever this thing's hiding, it's not the music.

 

Peter: I think it's a keyhole.

 

Diana: A key to what? Could we get it into X-ray?

 

Peter: Not without alerting somebody. I don't want to take a hammer to it just yet.

 

Diana: Mm. It could self-destruct.

 

Peter: Wouldn't surprise me. Let's see if we can find that missing piece. Maybe our friend knows where it is.

 

 

THE END

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Envie de découvrir ou de retrouver les sourires de Peter, Elizabeth, Neal et bien évidemment ce cher...

Willie Garson nous a quitté

Willie Garson nous a quitté
Willie Garson est décédé cette semaine à l'âge de 57 ans. Cette information a été annoncée son fils...

Matt Bomer tête d'affiche du thriller Echoes face à Michelle Monaghan

Matt Bomer tête d'affiche du thriller Echoes face à Michelle Monaghan
Matt Bomer a décroché le rôle principal masculin du thriller de Netflix, Echoes. Il incarnera Jack...

HypnoCup 2021 - White Collar présente au 4ème tour !

HypnoCup 2021 - White Collar présente au 4ème tour !
L'HypnoCup 2021 continue sur la citadelle ! Cette année 512 couples s'affrontent pour accéder au...

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HypnoRooms

langedu74, 12.03.2024 à 21:00

Un nouveau film est à deviner dans notre jeu Ciné-Emojis du quartier HypnoClap !

mamynicky, 13.03.2024 à 10:37

Bonjour les loulous ! Les Bridgerton s'offrent un nouveau design grâce à Spyfafa. Aux couleurs de la saison 3 et du printemps.

sanct08, 14.03.2024 à 11:53

Holà ! Les sondages de Star Trek - Le Caméléon et The X-Files vous attendent ! :=) Pas besoin de connaître les séries

mnoandco, 15.03.2024 à 19:50

Thèmes en vote côté "Préférences". Merci pour vos

lolhawaii, 16.03.2024 à 21:34

Nouveau design pour le quartier 9-1-1 / Lone Star !! On attend avec Prof' vos avis dans les commentaires sous la news du quartier

Viens chatter !